"-Lo lamento. ¿De verdad tengo que irme? -Sí. Escuche... Mañana por la noche, regresaré donde nos hemos conocido esta noche. Puede que nos encontremos si nada sucede mientras tanto. -La esperaré."
"-He's gonna run out on her, the coward. -Yeah. Sometimes it's worse to stay than it is to run. -Yeah, well, it takes a particularly low type of man to do a thing like that."
La Ventana Indiscreta (Rear Window, Alfred Hitchcock, 1954)
"-If I had all this to do over again, I'd have never let you down. It was always more fun when we did it together, anyway. I love you, Felicity. -I love you, too. But I shouldn't have married you."
Fantástico Sr. Fox (Fantastic Mr. Fox, Wes Anderson, 2009)
"El rodaje de esta película nos resultó penoso, y así acabó todo, en la absoluta nadería y el absoluto ridículo. Ahora se convierte en un reportaje sobre una catástrofe inevitable que nunca tuvo lugar."
La Soufrière (La Soufrière. Warten auf eine unausweichliche Katastrophe, Werner Herzog, 1977)
"-No, she's just not the girl for me. -Yeah, she's only perfect. -She's too perfect. She's too talented. She's too beautiful. She's too sophisticated. She's too everything, but what I want."
La Ventana Indiscreta (Rear Window, Alfred Hitchcock, 1954)
"-¿Sabes lo que tienes que hacer? Coge este taxi. -¿Sí? -Tienes que decirle sí a tu destino. -¿Sí? -¡Sí! La vida se mueve, nena, mira a tu alrededor. Ves, ahí hay vida. Y ahí. ¡Vamos, nena, vive! ¡Vive la noche! Di sí. Vamos. -Sí. -Dilo fuerte. -¡Sí!"
"-¿Quién sabe lo que te hace viajar? Quieres un cambio de paisaje, conocer nuevas caras. Piensas que conocerás a alguien más atractivo en la próxima ciudad. Nunca se sabe por qué. ¿Tú lo sabes?"
"-We don't even know what it is yet. We don't know what it is. We don't know what it can be. We don't know what it will be. We know that it is cool. That is a priceless asset I'm not giving up."
La Red Social (The Social Network, David Fincher, 2010)
"-They're only people. People make mistakes. Could they be wrong? -Well, no. I don't think so. -Do you know so? -Nobody can know a thing like that. This isn't an exact science. -That's right, it isn't."
12 Hombres sin piedad (12 Angry Men, Sidney Lumet, 1957)
"-Deja que comenten lo que quieran. No dejes que te compadezcan. No aceptes el papel de mujer traicionada y abandonada. Estás aquí para demostrar lo contrario."
"-He takes X-rays, but I never let him take them of me because, if he looked inside, he'd... he'd see things that he wouldn't understand and he'd be terribly hurt."
"-There's a lot I can't tell you, Tom. And I know that's upset you in the past. You felt it was because of some lack of trust or confidence. But it's because I admire you and I love you that I kept things secret from you."
El Padrino. Parte II (The Godfather. Part II. Francis Ford Coppola, 1974)
"-Look, dear girl, I think I better tell you somethin' about cowboys. -You really worry about me, don't you? -Well, you're too believin'. Cowboys are the last real men left, and they're about as reliable as jack rabbits. -Is anybody any different?"
"-Well, I better get going. But, uh, perhaps we could get together again sometime, Mr Lugosi. -Certainly. But now the children of the night are calling me."
"-It just happened. -Right. But that's what I don't understand. What just happened? -I just woke up one day, and I knew. -Knew what? -What I was never sure of with you."
(500) Días juntos ((500) Days of Summer, Marc Webb, 2009)
"-Había algún sitio donde los chinos o los egipcios decían: éstas son las tres cosas peores que te pueden ocurrir. Estar en la cama y no poder dormir. Esperar a alguien que nunca viene. Intentar complacer y no conseguirlo."
Una mujer destruida (Smash-Up. The Story of a Woman, Stuart Heisler, 1947)
El 29 de julio de 2008 fui obsequiado con mi primer ipod analógico, obra del artista Guillermo Martín Bermejo. La primera lista de reproducción llenó todas las etiquetas blancas que venían de serie con el aparato, pero su capacidad y memoria lejos de agotarse no hicieron más que empezar a procesar.