{ llegando al límite }

"Creo que podríamos saltar desde rampas más altas. Pero probablemente en ese caso habría muchas más caídas. Estamos llegando al límite."

El gran éxtasis del escultor de madera Steiner (Die grosse Ektase des Bildschnitzers Steiner, Werner Herzog, 1974)

+++
Buddy Holly – Everyday
1957
+

{ molesto con la telefónica }

"-¿Qué le parece?
-Alguien está molesto con la telefónica."

Exit Through the Gift Shop (Banksy, 2010)

+++
The Jam – Going Underground
1980
+

{ mambo! }

"Mambo!"

West Side Story (Jerome Robbins, Robert Wise, 1961)

+++
Rosemary Clooney - Mambo Italiano
1954
+

san viernes

{ el final de la fiesta }

"-¿Qué le pasa?
-Está borracho.
-Nunca bebe.
-Pues está como una cuba.
-¿A dónde va?
-A buscar el perdón.
-¿De qué?
-La fortaleza se derrumba."

Corazones Solitarios (Lonelyhearts, Vincent J. Donehue, 1958)

+++
Espanto – El final de la fiesta
2011
+

{ ejemplo de buena suerte }

"Esto es un ejemplo de buena suerte. Descubrir que tantas de estas personas seguían vivas, aunque olvidadas, que se sentían felices por tocar, generosos y dispuestos a compartir sus conocimientos."

Buena Vista Social Club (Wim Wenders, 1999)

+++
Buena Vista Social Club – Buena Vista Social Club
1997
+

{ everything around us }

"-We'll be all right, I know it. We're really together now.
-But it's not us. It's everything around us."

West Side Story (Jerome Robbins, Robert Wise, 1961)

+++
The Clash - London Calling
1979
+

{ no surprises }

"-Then tell me, future boy, who's the president of the United States in 1985?
-Ronald Reagan.
-Ronald Reagan? The actor?
Then who's vice president? Jerry Lewis?"

Regreso al futuro (Back to the future, Robert Zemeckis, 1985)

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Regina Spektor - No Surprises
2010
+

{ once in a lifetime }

"Yet, then -as now- the myth prevailed that there was only ever one mainstream. We were only too happy to know that our audience existed and to hoe the row in peace."

Derek (Isaac Julien, 2008)

+++
Talking Heads - Once in a lifetime
1980
+

{ how to use them }

"-You gave me these emotions. But you didn't tell me how to use them."

Frankenstein (Kenneth Branagh, 1994)

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Single - Tu Perrito Librepensador
2006
+

como si fuera fácil

{ I might be wrong }

"-Come on.
-Is he all right?
-Sure. In two weeks he won't remember this. Or you, either.
Why don't you give your sympathy where it's appreciated?
-Where's that?"

Vidas Rebeldes (The Misfits, John Huston, 1961)

+++
Radiohead - I Might Be Wrong
2001
+

{ résiste }

"-Look, why don't you try it out here for a while, see what happens?
You know, sometimes when a person don't know what to do, the best thing is to stand still."

Vidas Rebeldes (The Misfits, John Houston, 1961)

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France Gall - Résiste
1981
+

{ character edition }

{ Notable Moustaches }
Character Edition
from NYC



+++
Digital Army - Moustache
2010
+


Andrés, Iván, thank you very much

{ alone again or }

"Vivíamos en absoluta soledad, ni aquí ni allá. Kit prefería decir aislamiento, que es más a lo que me refería. Sea cual fuere la expresión, le dije que no podíamos seguir así."

Malas Tierras (Badlands, Terrence Malick, 1973)

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Calexico – Alone Again Or
2003
+

{ at the time }

"-A fella I knew in El Paso took all his clothes off and jumped on a cactus. I asked him the same question: why?
-And?
-He said "It seemed to be a good idea at the time."

Los Siete Magníficos (The Magnificent Seven, John Sturges, 1960)

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Wave Machines – I Go I Go I Go
2009
+

{ like a storm }

"-What are you doing to yourself?
-Nothing.
-You're doing more than that.
-It's like a storm. It'll pass."

Pollock (Ed Harris, 2000)

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Mercromina – Evolution
1999
+

{ no, no, no }

"-Si está buscando al capitán, no está aquí.
-¿Y si no le estoy buscando?
-Sigue sin estar aquí."

De Aquí a la Eternidad (From Here to Eternity, Fred Zinnemann, 1953)

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Johnny Cash;June Carter – No, No, No
1967
+

{ future ex }

"-You're married?
-Occasionally.
I'm always on the lookout for a future ex-Mrs. Malcolm."

Jurassic Park (Steven Spielberg, 1993)

+++
Patrick Wolf – The Bachelor
2009
+

{ losing my patience }

"-At this moment I feel no love for you at all. I never thought that would ever happen but it has."

El Padrino. Parte II (The Godfather. Part II, Francis Ford Coppola, 1974)

+++
Shit Robot – Losing My Patience
2010
+

{ going backwards }

"-Look, I ain't mad.
-What is wrong with you, then?
-Well, I dunno. It's just... It seems like everything's going backwards.
Steph?
-You sure it's not you going backwards?"

Quadrophenia (Franc Roddam, 1979)

+++
The Flaming Lips – Race For The Prize - Remix Album Version
1999
+

{ take advice }

"-So let me see.
You said... You said that I should never take advice from someone that haven't had sex with. Right? Right?
-Basically.
-Right."

Sexo, mentiras y cintas de vídeo (Sex, lies and videotape, Steven Soderbergh, 1989)

+++
The Strokes – Meet Me In The Bathroom
2003
+

{ the past is a grotesque animal }

"-Hello.
-Hello.
-I see you had a misspent youth.
-Yes, it was.
-Why all alone? Being exclusive? Being dramatic? Being blue?"

Un lugar en el sol (A place in the sun, George Stevens, 1951)

+++
Of Montreal - The Past Is a Grotesque Animal
2010
+

{ wicked game }

"-I think you'll see that the object of your obsession is invariably something negative which you have no control over.
-Yeah. But how many people, do you think run around obsessing over how great and how happy things are? You know, I mean...
Maybe they do, but I don't think they're in therapy."

Sexo, mentiras y cintas de vídeo (Sex, lies and videotape, Steven Soderbergh, 1989)

+++
Chris Isaak - Wicked Game
1989
+

{ comment te dire adieu }

"-Goodbye George.
It seems like we always spend the best part of our time saying goodbye."

Un lugar en el sol (A Place in the Sun, George Stevens, 1951)

+++
Francoise Hardy – Comment Te Dire Adieu (It Hurts To Say Goodbye)
1968
+

{ supongo que puede esperar }

"-Señora Mitchell... me alegro de que Ann no esté en casa. He venido con la esperanza de poder verla a solas pero deseando que no estuviera ¿me comprende?
Hay algo que quiero decirle, pero supongo que puede esperar."

Juan Nadie (Meet John Doe, Frank Capra, 1941)

+++
La Bien Querida – De Momento Abril
2009
+

en mayo, pero de momento abril

{ happy endings? }

"-Damn it, you act as if you're in kindergarten.
This is the big, bad world full of mean people, where nasty things happen."
-Now you tell me."

Sola en la oscuridad (Wait until dark, Terence Young, 1967)

+++
Pulp – Happy Endings
1994
+

{ macbethish }

"-The general atmosphere is very macbethish. What has or is about to happen?
-What is he talking about?
-Macbeth.
-We've seen you like this before. Is it over or is it just beginning?"

Eva al desnudo (All about Eve, Joseph L. Mankiewicz, 1950)

+++
R.E.M. – It's The End Of The World As We Know It (And I Feel Fine)
1987
+

{ hombres buenos }

"-Conozco a esos hombres buenos. Son buenos porque no han tenido que ser malos.
Los conozco."

Corazones Solitarios (Lonelyhearts, Vincent J. Donehue, 1958)

+++
Suede – Animal Nitrate
1993
+

{ one way or another }

"-I know how you feel. When Jean died...
-Don't.
-Maybe it's time for us to move on.
-Not everybody heals as fast as you, Logan."

X-Men 3. La decisión final (X-Men. The Last Stand, Brett Ratner, 2006)

+++
Blondie – One Way Or Another
1979
+

{ cosas de tierra }

"-Cada vez que nos acercamos a la costa tienes esa mirada.
Cuando un hombre se hace a la mar debe dejar de pensar en las cosas de tierra. Ya no deben preocuparle.
Yo tuve mis problemas y todos se relacionaban con tierra. Ahora ya he acabado con la tierra y ella conmigo."

Hombres Intrépidos (The Long Voyage Home, John Ford, 1940)

+++
The Wave Pictures – Leave The Scene Behind
2008
+

{ burn brightly}

"-The light that burns twice as bright burns half as long.
And you have burned so very, very brightly, Roy."

Blade Runner (Ridley Scott, 1982)

+++
Crystal Castles – Vanished
2008
+